Yiadom-Boakye’s contribution to the International was looking like a leading contender from the moment the exhibition opened this morning: it’s an airy room of tender, nuanced paintings on linen that show young black men and women—all fictional creations of the mid-career artist, who’s based in London and of Ghanaian heritage—posing against brushy fields of color. In one, a man holds an owl against a field of whites and grays, both of them gazing at the viewer. In another, a woman faces to the left, standing alongside a dog in a verdant patch of brushy strokes, all greens and browns and blacks.
The jury was made up of Carin Kuoni, the director of the Vera List Center for Art and Politics at the New School in New York; Ruba Katrib, curator at MoMA PS1 in New York; the independent writer Magalí Arriola, who’s based in Mexico City; Ellen Kessler, who chairs the museum’s board; Douglas “Woody” Ostrow, who’s a board member; Catherine Evans, the museum’s acting co-director; and Eric Crosby, its curator of modern and contemporary art.
The International, which was organized by Ingrid Schaffner and includes more than 30 artists, opens to the public on Saturday, and as it happens, Yiadom-Boakye will be leading an hourlong drawing program, open to all, at 3:30 p.m. The exhibition runs through March 25, 2019.