Decoding Rammellzee and Street Art Today – Carlo McCormick in an Interview Graffiti & Street Art .magSlideContent .slides img { display: block; width: 100%; } .magSlideContent{ border: 4px solid #ffffff; } July 7, 2018 Angie Kordic Studied Photography at IED in Milan, Italy. Passionate about art, frequent visitor of exhibitions, Widewalls photography specialist and Editor-in-Chief. It’s not who, but what. This summer in New York, there is a big exhibition, organized by Red Bull Arts and co-curated by Carlo McCormick, on view under this very statement, and it relates to a certain legend of the 1980s art scene of the city. Indeed, RAMMΣLLZΣΣ created many personas and could not be linked to just one genre, one medium, one anything. He was everywhere and everything, and today his art carries value on an even deeper level, perhaps. Who better to comment on the influence of RAMMΣLLZΣΣ than one of the most prominent art critics, curators, teachers and writers of our time? Having been around for many decades, Carlo McCormick knows the scene to its core, so for me it was the utmost pleasure to talk about this phenomenal show, and about other issues, facts and even anecdotes that are happening in the world of (street) art as we speak. But apart from the RAMMΣLLZΣΣ exhibition, we tackled Banksy’s recent “confession” on Instagram, as well as Shepard Fairey’s latest show titled Salad Days, focusing on the artist’s early years. Take a listen below! For more podcasts with art professionals, follow Widewalls on Soundcloud! . I entered an early version of this into the RA summer exhibition under the pseudonym Bryan S Gaakman – an anagram of ‘banksy anagram’. It was refused. Then a month later I got a mail from the co-ordinator Grayson Perry asking me to submit something so I sent it again. It’s now hanging in gallery 3. A post shared by Banksy (@banksy) on Jun 11, 2018 at 8:30am PDT RAMMΣLLZΣΣ as ‘Crux the Monk’, July 2002. Photography by Keetja AllardWalker Evans – Truck and Sign, 1928-30. Gelatin silver print, 5 3/8 x 9 3/16″ (13.7 x 23.3 cm). © 2018 Walker Evans Archive, The Metropolitan Museum of Art. Courtesy Carlo McCormickErnest Zacharevic – SOS (Sumatran Orangutan Society), Indonesia 2018. Courtesy Carlo McCormickJenny Holzer – Times Square, 1993. Courtesy Carlo McCormickFeatured image: Carlo McCormick, courtesy Carlo McCormick.

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