In the 1991 animated film , a young woman, Belle, dances and sings inside a magical castle where inanimate objects come to life. The cast of characters includes a French-accented candelabra and a flirtatious feather duster; a matronly teapot and her son, a teacup; a pendulum clock; and a loud-mouthed wardrobe.
These may seem like figments of animators’ imaginations, but in fact their genesis comes directly from the French Rococo, the decorative and indulgent 18th-century style that sought to bring levity and liveliness to the dark seriousness of the Baroque.
The parallel desires of 18th-century Rococo artisans and 20th-century Disney animators—to inspire, delight, and awe their audiences—are the crux of the exhibition “Inspiring Walt Disney: The Animation of French Decorative Arts,” on view now at the Metropolitan Museum of Art.
In all, dozens of Rococo art objects from the Met’s own treasure trove are on view alongside 150 original artworks from the Disney Studio from three animated films: (1950), (1959), and (1991).
Although the term “Disneyfication” tends to be used negatively, Max Hollein, the museum’s director, writes that Walt Disney exerted an influence like few others.
“It is hard to think of any other American who has had as far-reaching and long-lasting an impact on the visual arts,” he writes.
Below, see images from the exhibition.