Last week marked the long-awaited reopening of the Halls of Gems and Minerals at New York’s American Museum of Natural History.
Among the many upgrades to the formerly dated space, last renovated in 1976, is a new exhibition gallery that will host special exhibitions.
The inaugural show, “Beautiful Creatures: Jewelry Inspired by the Animal Kingdom,” is curated by the jewelry historian Marion Fasel and features 104 piece of jewelry made over the past 150 years—essentially, since the museum’s founding in 1869.
“It brings together extraordinary jewelry, inspired by fish, birds, butterflies, panthers, lizards, even spiders and jellyfish among others, fashioned by jewelry artists from around,” museum president Ellen Futter said at the press preview.
One section of the show is dedicated to late 19th-century jewelry inspired by insect collecting, a popular fad of the period that grew in part out of the collections of institutions like the American Museum of Natural History. There’s an emerald and gold weevil and a stag beetle brooch made of diamonds, rubies, gold, and white gold.
Also on hand is the famous Cartiér panther, as well as a snake necklace made by the house featuring no fewer than 2,473 diamonds, for a total of 178.2 carats.
But the jeweler’s most remarkable contribution to the exhibition is undoubtedly a crocodile necklace created for actress María Félix in 1975.
“The legend is that she walked into Cartier in Paris with a small crocodile and said ‘make me a necklace’—and they did!” Fasel said. It contains 60.02-carats of intense yellow diamonds and 66.86-carats of emeralds.
Other one-of-a-kind of pieces in the exhibition include the Étoile de Mer Brooch made by Salvador Dalí for philanthropist Rebekah Harkness. She would wear it on her shoulder, so the starfish’s limbs would drape down her arms for an elegantly surreal accessory.
“It demonstrates extraordinary mounting of gems,” Fasel added. “It has diamonds and rubies on the arms that are totally flexible to the point of being like mesh.”
The curator also managed to track down two pieces of animal jewelry with direct ties to the museum itself in the form of a pair of lion’s paw shell brooches by Italian designer Fulco di Verdura, who worked in New York.
“He got the shells from the gift shop here, took them across Central Park, and had his craftsmen set the diamonds along the crevices of the shell,” Fasel said. “He rather poetically thought it looked like water receding from the shell and shining in the sun.”
See more photos from the exhibition below.