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In Pictures: The New Museum Opens This Year's Very Subtle Triennial, Filled With Earthy Tones and Muted Imagery | Artnet News

In Pictures: The New Museum Opens This Year’s Very Subtle Triennial, Filled With Earthy Tones and Muted Imagery | Artnet News

The title of this year’s New Museum triennial is “Soft Water Hard Stone.” It’s a moniker that alludes to the natural world, to folk wisdom, and to the kind of quiet, insistent force that makes change over time—the idea being that even something as pliant as a soft current of water, over time, has an effect.

Curated by Margot Norton and Jamillah James, with the assistance of Jeanette Bisschops, the resulting show does indeed land gently. It’s a show of a lot of things that either lay on the ground or look like they were just picked up off the ground, and things that vaguely evoke a ruin. It is all washed-out colors and neutrals and graphite grays. It has a cool emotional tone (though not a cold one).

There are almost no big, central images—it’s a lot of things you have to look at like puzzles, for details. Even the big things and the figurative work feel faceless and diffuse somehow. The mental afterimage the show leaves is of a lot of people standing with their backs to you, talking in low tones.

It offers plenty to think about. As I put together my own thoughts on it, here are some photos of the show, so you can get a taste for yourself.

 

4th Floor

Cynthia Daignault, <em>As I Lay Dying</em> (2021) and Gabriel Chaile, <em>” width=”1024″ height=”683″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/gabriel-chaile-mama-luchona-300×200.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/gabriel-chaile-mama-luchona-50×33.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Cynthia Daignault, (2021) and Gabriel Chaile,  (2021) in the New Museum Triennial. Photo by Ben Davis.

Tanya Lukin Linklater, <em>An Amplification Through Many Minds</em> (2019). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398617_317_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/tanya-lukin-linklater-an-amplification-through-many-minds-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/tanya-lukin-linklater-an-amplification-through-many-minds-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Tanya Lukin Linklater, (2019). Photo by Ben Davis.

Jeneen Frei Njooti, <em>Fighting for the Title Not to Be Pending</em> (2020). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398617_743_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/Jeneen-Frei-Njooti-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/Jeneen-Frei-Njooti-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Jeneen Frei Njooti, (2020). Photo by Ben Davis.

Various works by Kang Seung Lee. Photo by Ben Davis.

Various works by Kang Seung Lee. Photo by Ben Davis.

Nadia Belerique, <em>HOLDINGS</em> (2020-ongoing). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpg 1024w, https://news.artnet.com/app/news-upload/2021/10/nadia-belerique-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2021/10/nadia-belerique-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Nadia Belerique, (2020-ongoing). Photo by Ben Davis.

Brandon Ndife,<em> Pistachio</em> (2021) and <em>Market Fare</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398618_538_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/Brandon-Ndife-pistachio-market-fare-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/Brandon-Ndife-pistachio-market-fare-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Brandon Ndife, (2021) and (2021). Photo by Ben Davis.

Brandon Ndife, <em>Pinched</em> (2021) and <em>Ripe Today, Finally</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398618_961_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/brandon-ndife-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/brandon-ndife-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Brandon Ndife, (2021) and (2021). Photo by Ben Davis.

Two panels from Cynthia Daignault, <em>As I Lay Dying</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398619_768_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/cynthia-diagnault-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/cynthia-diagnault-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Two panels from Cynthia Daignault, (2021). Photo by Ben Davis.

A work by Erin Jane Nelson. Photo by Ben Davis.

A work by Erin Jane Nelson. Photo by Ben Davis.

Gabriela Mureb, <em>Machine #4: stone (ground)</em> (2017). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398619_960_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/Gabriela-Mureb-Machine-4-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/Gabriela-Mureb-Machine-4-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Gabriela Mureb, (2017). Photo by Ben Davis.

Alex Ayed, <em>Untitled</em> (2021). Photo by Ben Davis.” width=”1024″ height=”683″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398619_804_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/alex-ayed-2-300×200.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/alex-ayed-2-50×33.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Alex Ayed, (2021). Photo by Ben Davis.

 

Stairway Gallery

Alex Ayed, <em>Untitled</em> (2021). Photo by Ben Davis.” width=”768″ height=”1024″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398620_725_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 768w, https://news.artnet.com/app/news-upload/2021/10/alex-ayed-225×300.jpeg 225w, https://news.artnet.com/app/news-upload/2021/10/alex-ayed-38×50.jpeg 38w, https://news.artnet.com/app/news-upload/2021/10/alex-ayed-1440×1920.jpeg 1440w” sizes=”(max-width: 768px) 100vw, 768px”/></p>
<p class=Alex Ayed, (2021). Photo by Ben Davis.

Gabriela Mureb, <em>Machine #3: belt (small)</em> (2013-21). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398620_99_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/gabriela-mureb-2-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/gabriela-mureb-2-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Gabriela Mureb, (2013-21). Photo by Ben Davis.

3rd Floor

Kate Cooper, <em>Somatic Aliasing</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398620_560_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/kate-cooper-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/kate-cooper-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Kate Cooper, (2021). Photo by Ben Davis.

Krista Clark, <em>Annotations on Shelter 5</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398620_55_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpg 1024w, https://news.artnet.com/app/news-upload/2021/10/krista-clark-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2021/10/krista-clark-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Krista Clark, (2021). Photo by Ben Davis.

Tomás Díaz Cedeño, <em>1000 Años</em> (2019). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398621_150_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/tomas-diez-cadeno-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/tomas-diez-cadeno-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Tomás Díaz Cedeño, (2019). Photo by Ben Davis.

Haig Aivazian, <em>All of Your Stars Are But Dust on My Shoes</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398621_175_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/haig-aivazian-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/haig-aivazian-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Haig Aivazian, (2021). Photo by Ben Davis.

Yu Gi, <em>Flesh in Stone Ghost #8</em> (2021). Photo by Ben Davis.” width=”1024″ height=”683″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398621_101_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/yu-ju-300×200.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/yu-ju-50×33.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Yu Gi, (2021). Photo by Ben Davis.

Krista Clark, <em>Annotations on Shelter #3</em> (2021). Photo by Ben Davis.” width=”768″ height=”1024″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398622_663_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 768w, https://news.artnet.com/app/news-upload/2021/10/krista-clark-annotations-on-shelter-225×300.jpeg 225w, https://news.artnet.com/app/news-upload/2021/10/krista-clark-annotations-on-shelter-38×50.jpeg 38w, https://news.artnet.com/app/news-upload/2021/10/krista-clark-annotations-on-shelter-1440×1920.jpeg 1440w” sizes=”(max-width: 768px) 100vw, 768px”/></p>
<p class=Krista Clark, (2021). Photo by Ben Davis.

Ambera Wellman, <em>Strobe</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398622_404_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/ambera-wellman-strobe-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/ambera-wellman-strobe-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Ambera Wellman, (2021). Photo by Ben Davis.

Laurie Kang, <em>Great Shuttle</em> (2020-21) and <em>Root</em> 2020-21). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398622_641_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpg 1024w, https://news.artnet.com/app/news-upload/2021/10/laurie-kang-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2021/10/laurie-kang-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Laurie Kang, (2020-21) and 2020-21). Photo by Ben Davis.

Jes Fan, <em>Networks (for Rupture)</em> (2021) and <em>Networks (for Extension)</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398622_70_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/jes-fan-networks-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/jes-fan-networks-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Jes Fan, (2021) and (2021). Photo by Ben Davis.

Iris Touliatou, <em> Untitled (Still Not Over You)</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398623_684_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpg 1024w, https://news.artnet.com/app/news-upload/2021/10/iris-touliatou-untitled-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2021/10/iris-touliatou-untitled-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Iris Touliatou, (2021). Photo by Ben Davis.

Works by Harry Gould Harvey IV (2021). Photo by Ben Davis.

Works by Harry Gould Harvey IV (2021). Photo by Ben Davis.

Sandra Mujinga, <em>Pervasive Light</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398623_31_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/sandra-mujinga-pervasive-light-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/sandra-mujinga-pervasive-light-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Sandra Mujinga, (2021). Photo by Ben Davis.

 

2nd Floor

Three works by Goutam Ghosh. Photo by Ben Davis.

Three works by Goutam Ghosh. Photo by Ben Davis.

Bronwyn Katz, <em>Xãe</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398623_20_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpg 1024w, https://news.artnet.com/app/news-upload/2021/10/bronwyn-katz-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2021/10/bronwyn-katz-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Bronwyn Katz, (2021). Photo by Ben Davis.

Angelica Loderer, <em>Untitled (ribbons)</em> (2021). Photo by Ben Davis.” width=”768″ height=”1024″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398624_101_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 768w, https://news.artnet.com/app/news-upload/2021/10/angelica-loderer-225×300.jpeg 225w, https://news.artnet.com/app/news-upload/2021/10/angelica-loderer-38×50.jpeg 38w, https://news.artnet.com/app/news-upload/2021/10/angelica-loderer-1440×1920.jpeg 1440w” sizes=”(max-width: 768px) 100vw, 768px”/></p>
<p class=Angelica Loderer, (2021). Photo by Ben Davis.

Alex Ayed, <em>Untitled (Sail II)</em> (2020) and <em>Untitled (Sail IV)</em> (2020). Photo by Ben Davis.” width=”1024″ height=”742″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398624_799_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpg 1024w, https://news.artnet.com/app/news-upload/2021/10/alex-ayed-300×217.jpg 300w, https://news.artnet.com/app/news-upload/2021/10/alex-ayed-50×36.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Alex Ayed, (2020) and (2020). Photo by Ben Davis.

Ima-Abasi Okon, <em>Put Something in the Air: The E-s-s-e-n-t-i-a-l Mahalia Jackson Blowing Up DJ Pollie Pop’s Chopped and Screwed Rendition of Wagner’s Ride of the Valkyries — Military-Entertainment Complex Dub [Jericho Speak Life!]*(Free of Legacy)*</em> (2017). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398624_619_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/ima-abasi-okon-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/ima-abasi-okon-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Ima-Abasi Okon, (2017). Photo by Ben Davis.

Works by Ann Greene Kelly. Photo by Ben Davis.

Works by Ann Greene Kelly. Photo by Ben Davis.

Blair Saxon-Hill, <em>Emergency Contact</em> (2021). Photo by Ben Davis.” width=”1024″ height=”683″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398625_520_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/blair-saxon-hill-300×200.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/blair-saxon-hill-50×33.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Blair Saxon-Hill, (2021). Photo by Ben Davis.

Christina Pataialii, <em> Footsteps in the Dark</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398625_63_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpg 1024w, https://news.artnet.com/app/news-upload/2021/10/christina-pataialii-footsteps-in-the-dark-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2021/10/christina-pataialii-footsteps-in-the-dark-50×38.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Christina Pataialii, (2021). Photo by Ben Davis.

Kahlil Robert Irving, <em>Routes&Roots[(SaintLouis NewYork (returnflight)] MEMORY MASSES</em> (2021). Photo by Ben Davis.” width=”1024″ height=”708″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398626_1_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/kahil-robert-irving-300×208.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/kahil-robert-irving-50×35.jpeg 50w, https://news.artnet.com/app/news-upload/2021/10/kahil-robert-irving.jpeg 1496w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Kahlil Robert Irving, (2021). Photo by Ben Davis.

Works by Ann Greene Kelly. Photo by Ben Davis.

Works by Ann Greene Kelly. Photo by Ben Davis.

Wallpaper and various untitled works by Evgeny Antufiev and [foreground] Hera Büyüktaşcıyan, <em>Nothing further beyond</em> (2021). Photo by Ben Davis.” width=”1024″ height=”683″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398627_157_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/evgeny-antufiev-untitled-300×200.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/evgeny-antufiev-untitled-50×33.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Wallpaper and various untitled works by Evgeny Antufiev and [foreground] Hera Büyüktaşcıyan, (2021). Photo by Ben Davis.

Works by Evgeny Antufiev. Photo by Ben Davis.

Works by Evgeny Antufiev. Photo by Ben Davis.

Foreground: Hera Büyüktaşcıyan, <em>Nothing further beyond</em> (2021). Photo by Ben Davis.” width=”1024″ height=”682″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398627_590_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/Hera-Büyüktaşcıyan-300×200.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/Hera-Büyüktaşcıyan-50×33.jpeg 50w, https://news.artnet.com/app/news-upload/2021/10/Hera-Büyüktaşcıyan.jpeg 1570w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Foreground: Hera Büyüktaşcıyan, (2021). Photo by Ben Davis.

Rose Salane, <em>60 Detected Rings (1991-2021)</em> (2021). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398628_102_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/rose-salane-60-detected-rings-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/rose-salane-60-detected-rings-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Rose Salane, (2021). Photo by Ben Davis.

Amalie Smith, <em>Clay Theory</em> (2019). Photo by Ben Davis.” width=”1024″ height=”768″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398628_886_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/amalie-smith-300×225.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/amalie-smith-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Amalie Smith, (2019). Photo by Ben Davis.

Gaëlle Choisne, <em>Temple of Love—Love to love</em> (2021). Photo by Ben Davis.” width=”1024″ height=”683″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398628_41_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/Gaëlle-Choisne-temple-of-love-300×200.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/Gaëlle-Choisne-temple-of-love-50×33.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Gaëlle Choisne, (2021). Photo by Ben Davis.

Lobby Gallery

Arturo Kameya, <em>Who can afford to feed the ghosts</em> (2021). Photo by Ben Davis.” width=”1024″ height=”683″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398628_579_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/arturo-kameya-300×200.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/arturo-kameya-50×33.jpeg 50w, https://news.artnet.com/app/news-upload/2021/10/arturo-kameya.jpeg 1600w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Arturo Kameya, (2021). Photo by Ben Davis.

Amy Lien and Enzo Camacho, <em>waves move bile</em> (2020). Photo by Ben Davis.” width=”1024″ height=”779″ srcset=”https://www.antheamissy.com/wp-content/uploads/2021/10/1635398629_859_In-Pictures-The-New-Museum-Opens-This-Years-Very-Subtle.jpeg 1024w, https://news.artnet.com/app/news-upload/2021/10/amy-lien-and-enzo-camacho-300×228.jpeg 300w, https://news.artnet.com/app/news-upload/2021/10/amy-lien-and-enzo-camacho-50×38.jpeg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”/></p>
<p class=Amy Lien and Enzo Camacho, (2020). Photo by Ben Davis.


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