admin
In a summer where we have been speaking at length about the power that figurative art plays in our political landscape, Muzae Sesay’s stunning and complex pastel and wax pencil works are a potent reminder of the persuasive punch of abstraction in contemporary conversations regarding race and power. Sesay’s concurrent solo shows, The Purest Air I’ve Ever Known and Freetown Veranda, which open by appointment on August 15 at pt2 Gallery in Oakland, immediately frees the mind as color and shape dive deep into the horizon or sink into subconscious, squinting at the sun. They leave a mark. “I am explaining that buying a motorcycle is to find new work when really it is to liberate myself and find freedom,” Sesay says…
Source link
Add comment