With parents and kids alike stuck at home, museums have been quick to offer families myriad resources for distraction. Among the quirkiest is a specially designed coloring book courtesy of the conceptual photographer Louise Lawler, made available by the Museum of Modern Art in New York last month.
Lawler is known to art fans for photos that document the everyday reality of how art is shown and displayed in the spaces of the people who live with it. She’s also been known to remix her own art, constantly thinking about what images mean in new contexts. For her 2017 MoMA retrospective, she worked with kids book illustrator Jon Buller to make versions of her best-known photos distilled into line drawings that were then blown up on the walls.
The new MoMA coloring book remixes 12 of these black-and-white images once more, turning them into an actual activity “for children and adults of all ages.” (MoMA is looking out for submissions online with the hashtag #DrawingWithMoMA.)
Here, for instance, is the coloring book version of Lawler’s seminal 1984 photo showing a Jackson Pollock painting displayed behind a soup dish, a juxtaposition which has been called “simultaneously trenchant and poignant”:
And here is the coloring book version of (2003), which shows a small On Kawara date painting, hovering over a table set with wine glasses and an ashtray full of cigarette butts.
And here is the colorable version of a 1999 Lawler showing a polished Jeff Koons bunny displayed in front of a painting by fellow Neo-Geo artist Peter Halley, an image that once made the cover of .
We decided to take these three Lawlers for a spin. Our office mates and friends tapped their stable of emerging artists to provide unique interpretations of what is perhaps the most high-concept, art historically informed coloring book ever produced. Submissions arrived in a variety of media, from colored pencil to markers to computer coloring programs to, in one case (we speak of Rex), an innovative deployment of collage to comment on the collision of street art and post-conceptualism in SoHo’s heady 1980s.
The results really make you think about all the themes in Lawler’s art: how artists make decisions and how we confer value onto images. Enjoy!